WORKS
table
PRESS
PUBLICATIONS
- No Necessary Correspondence exhibition catalog
- Portable Gray, Vol 4, No. 1, Spring 2021: Another Idea exhibition catalog
- Zeitschrift für Medienwissenschaft: Juniorprofessur und dann noch Habilitation: sinnvoll oder absurd?
- Zeitschrift für Medienwissenschaft: Formatwechsel. Zur Methodendebatte
- Writing for Sweaty Scales by Liang Luscombe
- Making Plans exhibition catalog essay
untitled imaginary futures (by any means necessary)
2026Brick, Glass, Hazard Light, Privacy Mirror.
A participant work in WUNDERKAMMER,
The inaugural show in Crystal Palace, Part 1.
Curator: Paul Ramirez Jonas
The Crystal Palace is a temporary exhibition space composed of cabinets made from the postal boxes that were formerly located in the basement of Sibley. It is inspired by the cabinets of curiosities (Wunderkammer) of the sixteenth century—precursors to museums—and by the Crystal Palace that housed the Great Exhibition of the Works of Industry of All Nations in 1851, a precursor to World Expos.
Despite their fraught relationship to colonialism and empire, these are some of the roots of our current ideas of exhibitions. They emphasized group participation; representation through images, objects, and artifacts; and the exchange of ideas. Formally, they also favored transparency and the use of glass.
Participant Artists:
Kyle Bellucci Johanson
Matt Bollinger
Mark Anthony Brown, Jr.
Oscar Rene Cornejo
Eric Hibit
Jen de los Reyes
Lou Fuchs
Julianne Hunter
Devon Jenkins and Eli Bressler
Carla Liesching
Joanna Malinowska
Leeza Meksin
Elisabeth Meyer
Cora Moss
Keith Obadike
Carl Ostendarp
Maria Park
Paul Ramírez Jonas
Jackie Riccio
Paulina Velázquez Solís